For the past ten years, I’ve been editing professionally. Yet one question always stumps me: “How do you know when to cut?” And I can only answer that it’s very instinctual. On some level, I’m just thinking and feeling my way through the edit. So today, I’d like to describe that process: how does an editor think and feel?
Every Frame a Painting was a series of video essays about film form, made from April 2014 to September 2016, by Taylor Ramos and Tony Zhou.
Join the Community
We’re glad you’re here! Create an account to:
Add tutorials to “My Trainings”
Keep track of what you’ve done.
Create a publishable profile so other creatives can find you.